Harmonica tab

Guitar Licks For Harmonica 

Guitar Licks For Harmonica – You Don’t Love Me

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Allman BrothersYou don’t love me, pretty baby

The Good Doctor, Greasy Rob from the garage and Barry the Landlord were enjoying some time out on the patio, shelling a mountain of fresh prawns and sipping ice-cold pilsner. Amidst occasional quacks from the village duck pond and the chirrup of sparrows in the privet hedge, they could detect the approaching whistle of Otis the postman, who was steadily making his rounds.

Shrimps and Beer‘How do all!‘ Otis leaned over the Surgery gate, tugging the peak of his hat and holding out a letter for the Doc. ‘Thanks Otis old boy, have you time for some of our splendid seafood?’ the Doc enquired. ‘Sorry’, Otis replied, ‘I’m in a bit of a rush right now – an Otis rush you could say’. Otis was visibly pleased with his impromptu blues pun.

‘Aaah!‘ said the Doc, ‘You Don’t Love Me!‘ Otis looked a little surprised. ‘I wouldn’t go that far‘, he replied, straightening his cap. ‘No, no, no…the letter old boy! It’s from Tom Esposito. He wants to know how to play the riff for You Don’t Love Me by The Allman Brothers’. ‘Now we’re talking!‘ whooped Otis, as he pulled a Special 20 from his pocket, ‘I likes a drop of the AB’s.’

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Harp Tab 

That’s All Folks!

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Looney Tunes outro on harmonica

Otis has been talking about a Surf Guitarist he heard busking in the underground walkway under London’s Science Museum. Apparently he was so good, everyone jumped in the soup for a slide.

A detail that caught Otis’s ear was the lick the guitarist added to the end of Secret Agent Man by The Ventures. It was the familiar outro to Warner Brothers’ Looney Tunes cartoons. He played it as a group of children were passing by and it turned every single head.

Sufferin’ succotash!
We’ve tried it on the harmonica and it’s all there! You might like to add it to your repertoire. Grab a C major 10 hole diatonic and make out in first position (straight harp).

5B   4D..4B   4D   5B..4D..5B  
4B   4D..4D..4D..4D
4D   2D   3D   4D
5B   4B-5B-6B  (….gliss to 10B)

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Now show all your friends. Unless of course they’re hunting Wabbits. In which case, be vewwy, vewwy quiet.

Harp Tab How Do They Do That? Split Rivitt Archive 

Soul Limbo – Split Rivitt (Part 2)

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We respectfully dedicate these pages to the friends and family of Barney Jeffrey 1958-2008

Limbering up
Booker T. & The M.G.'s* - Soul-Limbo (1968, Vinyl) | DiscogsIn 1968, the soul label Stax broke away from its parent Atlantic. The first album to be released on the independent Stax label was Soul Limbo, featuring the instrumental of the same name, by“Unofficially the MGs were named after the band leader’s car”Booker T. & The MGs. The band’s leader was Booker T.Jones (Hammond Organ). Officially The MGs was short for The Memphis Group, comprising Steve Cropper (guitar), Donald ‘Duck’ Dunn (bass) and Al Jackson Jnr (drums). Unofficially the MGs were named after the band leader’s car. Booker T. himself has corroborated this piece of trivia. His earlier outfit was called the Triumphs. Clearly he had a penchant for British roadsters.

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Collectively of course, Booker T. & The MGs backed all the soul greats including Wilson Pickett, Eddie Floyd and Sam & Dave. Indeed their names are often credited as the co-songwriters. In the 1960s, two white musicians working deep inside the heart of a black music phenomenon was unusual. Cropper and Dunn later formed the nucleus of the Blues Brothers Band.

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Harp Tab How Do They Do That? Split Rivitt Archive 

Soul Limbo – Split Rivitt (Part 3)

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We respectfully dedicate these pages to the friends and family of Barney Jeffrey 1958-2008

The Venue, London

Split the bill
‘We did start a studio album together, but I wasn’t happy with what was going on so I walked out. They said they’d produce it themselves. I told them, you’ll see what happens, knowing full well they were unaware of all the pitfalls. Mark ‘Harpdog’ Hughes also played Chromatic. He was a normal kind of guy. Probably the quietest and most sensible band member. My studio notes show he was playing through a Shure Echo microphone. I think we added more harp on top and bounced it all down. I seem to remember asking him to harmonise and layer it. We were aiming at our own wall of sound. I think the end result stands on its own merit without impinging on the original.’

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‘The track never truly got the exposure it deserved because the distributor, Pinnacle, got into financial difficulty. But it was on BBC Radio 1’s A list and got a lot of airplay. In fact it charted briefly in the top 20. I don’t know how the track was chosen originally. I have always been a big Booker T. fan, so maybe I had something to do with it. Anyway I love off-the-wall stuff. I once recorded the Dambusters Theme with a Punk Band and tried to sell it to the Germans. It didn’t get very far.’ (more…)

Harp Tab Harp Tips 

Irish Harmonica – Garryowen

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Eireann go Brach.. Happy St Patrick’s Day!

Virtually forgotten in the post-war revival of traditional Irish music, Celtic and folk harmonica has recently enjoyed a massive rise in popularity. This is largely down to the work of Brendan Power and Mick Kinsella, both of whom joined us at the UK Harmonica Festival in Bristol 2010. To celebrate St Patrick’s day, let’s investigate the Irish harmonica style a little further and learn a great tune called Garryowen.

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Brendan’s 1993 recording New Irish Harmonica ultimately led to his tenure in the Riverdance show, bringing him to the forefront of the Irish harmonica style. Meanwhile, native Irishman Mick Kinsella drew on compatriot Eddie Clarke as the major inspiration for his Celtic harping. Both are active on the Irish folk music scene today, as well as TV, Radio and Film. Did we recently hear Brendan on the soundtrack of the Leap Year movie? (more…)

Harp Tips 

Why is third position a minor key?

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Flying Saucer 4Close encounters of the third kind
This question was asked by a student in our Harpin’ By The Sea beginners’ workshop; we had touched on positional playing as a way to extend the scope of the diatonic harmonica. And to be honest, it’s a fair question. Perhaps we accept the fact too easily, without asking or fully understanding the reason why. But we were a group of beginners. So we decided to explain the finer details after the workshop for those who were interested, rather than risk putting the majority off music for life. Here’s the result.

If you are unfamiliar with the concept of modes and positions, then I recommend you first check out the post entitled Modes (or visit Modes via the Theory menu at the top of the screen) and come back when you’re comfortable with everything. It’s quick and it won’t hurt! (more…)