blues harp – Page 11 – Harp Surgery

SaRon Crenshaw – Terra Blues, New York, 16th Oct 2008

October 18, 2008 The Good Doctor

We arrived at Terra Blues for the nightly acoustic set at about 7.30pm, not really knowing what to expect. What we discovered were two rare treasures. The first was the venue itself. We were instantly bowled over by its style and warmth. This place is charming and sophisticated, with mood lighting, a vaulted ceiling and candlelit tables. And teasing us from the stage, like a spotlit still life, was an empty chair, a red Lucille Gibson guitar signed by BB King and a silver-faced Fender Twin Reverb amplifier.

A few minutes later our second great find of the evening took the stage. SaRon Crenshaw is incredible. He has presence and rapport to match the likes of Luther Allison and Eric Bibb. His voice is the equal of any Atlantic soul singer – its richness, depth and expression is astonishing. His guitar work is comprehensively top drawer. Read more

How Do I Know I’m Bending In Tune?

August 1, 2008 The Good Doctor

If I catch you bending, I’ll saw your legs right off..

It’s a fair question often posed by newcomers to the harp, regardless of any previous musical experience. Basically, we all want to know we’re doing something right the first time we try it. Folks often arrive at our workshops under the assumption they’ve nailed their bends, when they actually haven’t completed their journey.

The process starts by quantifying the task. There are twelve regular draw/blow bends on a 10 hole diatonic. 1D’, 2D’, 2D”, 3D’, 3D”, 3D”‘, 4D’, 6D’, 8B’, 9B’, 10B’ and 10B”.

Next we need to learn the skills necessary to achieve each bend. On first encounter each reed has its own distinct response. In time you will grow used to, and learn to accommodate, these idiosyncrasies. You can find comprehensive instructions for playing draw bends and blow bends in our Harp Skills section (top menu). Read more

The Blues Band with Paul Jones – Flatfoot Sam

July 25, 2008 The Good Doctor

Flat Foot Sam bought an automobile

It was Blues at The Fort, Portsmouth 2007 and the Good Doctor was in the backstage marquee with The Elevators. Three years earlier he was playing the same gig with The Blackjacks. ‘Who else is on the bill tonight?’ he asked. ‘Eddie Martin is after us,’ came the reply, ‘and The Blues Band are headlining.’ The Good Doctor smiled at the news; an excellent evening’s harpoonery lay ahead.

Then the Good Doctor’s thoughts rolled back to 1979 and radio reports of a new blues band that was taking the country by storm, featuring Paul Jones, former front man of Manfred Mann. It was a time when Punk Rock and New Wave were peaking on the UK music scene and live music gigs were where you still went to be cool. No MTV, no internet, no DVDs. The erupting live music scene had belched forth a number of red hot R&B bands. The Blues Band, 9 Below Zero, The Inmates and The Cheaters to name a few.

A year later, amidst great media interest, The Blues Band took the stage at the 1980 Knebworth Festival. The Good Doctor was in the crowd with the ‘naughty botty’ gang, ready for a musical feast which also featured Lindisfarne, Elkie Brooks, Santana and The Beach Boys. It was a fabulous day compered by Richard Digence and the bands were exceptional. After the festival, one song in particular stuck in the Doctor’s mental jukebox – Flatfoot Sam by The Blues Band. It was his favourite track on their Bootleg LP and just as good performed live.

Blow Bending… that ‘Mini-Gillespie’

July 23, 2008 The Good Doctor

$Wilf\'s JT-30$ Ken had a very productive session this evening, learning how to blow bend. He reminded the Good Doctor the first blow bend on hole 10 is necessary to complete the upper major octave (doh-ray-me..):

7B 8D 8B 9D 9B 10D (first blow bend..) 10B’ 10B.

We read through the blow bend page from the Harp Surgery menu and put it into practice. With patience and one-to-one coaching, Ken had his first blow bend (8 hole on an A harp) nailed within ten minutes.

His feedback? Yippee! And the ‘Mini-Gillespie air cushion’ advice on the blow bend page was crucial.

What Speed Do You Do Vibrato?

July 8, 2008 The Good Doctor

$Wilf\'s JT-30$ This was a genuine and very welcome question asked during a session at the Harp Surgery today.

Before answering, a smile grew on the Good Doctor’s face. His thoughts flashed back to a time when he first noticed how other harp players’ vibratos seemed faster, more appealing or more perfect than his own. He recalled the thrill of graduating from a struggling player with no vibrato, to one who could emulate that special throat vibrato he’d heard time and time again on recordings by Kim Wilson and The Fabulous Thunderbirds. It was a coming of age. It was fulfillment. Blow bends followed and brought with them the same sense of arrival.

‘Do you know’, answered the Good Doctor, ‘I do my vibrato at my own speed. I have tried to do it faster. I have tried to do it better. But it’s the vibrato I was born with. I have learned that it is my vibrato. It doesn’t need changing.’

Lip Freeze

July 8, 2008 The Good Doctor

$Wilf\'s JT-30$ Why do my lips freeze up?

It happens to us all – embarrassingly this can be in the middle of our showcase number, live and dangerous on stage. It’s happened to me on Whammer Jammer a few times. As with all things physical, if your muscles aren’t used to it, they rebel. Ever tried to do too many sit-ups? A repetitive strain occurs when your abdominal wall muscles go into spasm and lock up. You can’t move again until they have had time to relax. Lip freeze is no different – our lip muscles cramp up from under use. In their own little way they’ve run a marathon too soon. Lip freeze often kicks in when you have to purse a bit harder for a bit longer – notoriously on those top end holes. Read more