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Isolating Single Notes

The Good Doctor 0 Comments , , , , , ,

This information is given from a lip-pursed embouchure perspective, but may be useful for other embouchures. Audio files are based on a 10 hole diatonic harmonica in C major.

Newcomers to the harmonica can often find it difficult to play accurate single notes. Which is perfectly understandable. Let’s be honest, there really isn’t much to aim at. Plus the concepts of embouchure for accurate intonation and diaphragmatic breathing for tone have yet to be fully explored. Everyone has their own approach to gathering single note skills and some will find success sooner than others. If you are finding this skill elusive and frustrating however, don’t give up. It’s not that you can’t do it, just that you can’t do it yet. Give it time and you will get it. If this is your experience, welcome to the harmonica! Let’s run through a few ideas that may help you in your quest for isolating single notes.

Airtight
For the best tone and accuracy, first we need to eliminate any leakiness. This means placing your lips right round the mouth piece, with the corners of your mouth supportive but not rigid, and lips pushed slightly forward but not stiff. And drop that jaw. Remember also that each hole has dividers either side, so your target area is nearly twice as wide as your eyes might tell you. There is a margin around each hole. Pushing the harmonica into your lips will actually improve your accuracy, airtightness and tone.


Posture
Next you should remember to relax your posture. This includes your shoulders, neck, jaw and tongue. Make sure you’re not slumped or leaning on elbows either, as this compromises deep breathing from your diaphragm. If your cheeks are puffing in and out as you play, this probably means you are not moving warm air from deep down in your abdomen and your tone will suffer as a consequence. (more…)

Little Walter Diary 

The Little Walter Diary Ch.2 – Sad Hours

The Good Doctor 2 Comments , , , , , ,

LogoRound about five
Having openly declared my personal shortcomings apropos studying Walter Minor, there’s no escaping his genius. And the guy continues to toss pebbles at the window of my blues garret. The latest wake up call was a request to decode the start of Sad Hours. The outcome? Unexpected exposure to an architectural masterpiece. I was left standing in my pyjamas, rubbing my eyes, wondering what hit me.

Listen to

It’s a given that mastery of Little Walter’s diatonic dialect is an essential step in any blues harp player’s development. Ever contrary by nature, I therefore embarked on a love affair with Big Walter. Latterly however, I have come to accept my latent appreciation of Marion Walters Jacobs and to indulge in the occasional flirtation. Sad Hours certainly gets the blues fuse smouldering. It was Walter’s 1952 follow up to Juke and it made No.2 on the Billboard R&B Chart. (more…)