The Good Doctor’s Patent Blues Remedy

See me, feel me, touch me, heal me.

with Gordon RussellThe Harp Surgery has been live for many months now, crammed with advice about how to do it, who else did it, when they did it, why they did it, where to hear it and what’s good about it. A lot of words for a music site. Well, we think it’s about time the Good Doctor opened his harp case and shared the medicine round. At some point you have to cut the chat and let the music do the talking. People, the Patent Blues Remedy is now live. Close all the doors, slide the phone off the hook, click here and get your fix.

You will hear edited highlights of tracks from both albums by The BlackjacksWhat’s The Deal? and High Roller, samples from the Doc’s contribution to The Blue Hearts, The Elevators, Boy Cried Wolf and a secret snippet from a recent commercial music library blues CD.

We look forward to adding further tracks in the months to come and also embellishing the Surgery’s instructional pages with sound bites. Oh, and keep it strictly between yourselves, but there is rumour of the Doc making his inaugural podcast on YouTube. All coming to a PC near you. Stay tuned.

Happy harping!

Horn Concerto No.4 in Eb Major (Rondo Allegro Vivace) – W A Mozart [..with tab]

I once had a whim and I had to obey it

Welcome to part two of our Baroque Blues Harp trilogy. The headline might look rather daunting, but don’t be put off. This is a piece we have all heard at one time or another and, once you’ve heard it again, I am sure it will bring a reassured smile to your face. Written in 1786, it is the final movement from the last of Mozart’s four horn concertos. The concertos were composed for his close friend Joseph Leutgeb a master horn player of the period. This finale is written in 6/8 time as a chasse or hunting tune. Consequently there is frequent use of triads in the melody to give a hunting horn flavour and triplet phrasing for a galop effect.

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Four Things (Nearly) Every Harp Player Does

So, you still want to be a harp player, huh? Well son, every creature has its hobbies, and if you want to pass yourself off as the real thing, you better learn how to blend in. In Part 2 of his ethnoblography, Figuring Out The Harp Player, Elwood sketches out a few key points.

It is an established fact that over 98 percent of harmonica players are white, English-speaking men between the ages of 30 and 65. (The other two percent are women and Ismael Lo.) When they are not sleeping, eating or trying on ugly hats, they typically divide their time between four activities: (more…)

Oopsie!

I declare it’s a pity, and God knows it’s a crying shame

Credit to a recent contribution on Harp-L for bringing this small, but important detail to our attention. It’s a recording of the wonderful Sonny Boy Williamson II, starting Nine Below Zero with his harp the wrong way round and on camera. As you might expect from such a pro, he casually shrugs the moment off without ceremony and gets straight on with the job. And hats off to the man. That same thing could represent an insurmountable embarrassment to lesser mortals.


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How to Become a Blues Harp Player

So what kind of animal is the blues harp player? In the first chapter of the Apprenticeship Series, guest blogger Elwood takes us through part 1 of his blues ethnography, Figuring Out The Harp Player.

For some, the journey to becoming a master takes them from the depths of frustration to the giddy heights of triumph via a thousand smoky jam sessions and hundreds of hours in the woodshed. Many of us, however, find the journey to becoming a master shorter and much easier: it goes all the way to the local music store and back – more often than not via the ugly hat shop.

There’s an old joke – or historical anecdote? – about a father who sends his son to harmonica lessons. The son comes home after the first lesson and his old man asks what he learned. The boy says, “I learned the two-hole draw, dad.” Mighty impressed is his old dad. (more…)

Hohner MS Replacement Reed Plates

Playing harmonica with thick specs

Heap O' HarpsOtis, the Harp Surgery postman, stopped in this morning for a nice cup of tea and a sit down. He delivered a lovely letter from Mr Clive Langhorn who was the Harp Surgery’s very first student many years ago. Clive is now a great blues harp specialist who performs around the South of England. He writes..

I have recently fitted the thicker reed plates (normal .9mm / thicker 1.09mm) to a MS Blues Harp, and it sounds good. Can you tell me why anyone wouldn’t use them, and if different keys may be affected differently using the thicker plates. Best regards,
Clive

It’s wonderful to hear from you Clive. I trust you are still entertaining the masses with your masterful command of the blues. Your question is most welcome and I hope you won’t mind me publishing my analysis, both for your benefit and for the benefit of our reader. (more…)

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