Love Me Do – The Beatles [..with tab]

Beatles HarmonicaI’ll always be true, so please, love me do

Much has been written about John Lennon’s harmonica playing with The Beatles. He started playing at a time in the 1960’s when American blues music was taking the UK by storm. Little Walter, Muddy Waters, Sonny Boy Williamson and Howlin Wolf all toured the UK. The Rolling Stones were stiff competition in the popularity stakes, with harmonica work by the multi-talented Brian Jones and many other UK R&B bands followed.

Listen to

Bruce Channel was also touring the UK on the back of his ‘Hey Baby’ hit (many will be more familiar with the 1990’s cover version, famous for its loutish Ooh-Aah chant). With him was Delbert McClinton, the harmonica player on the hit. Legend has it that Delbert McClinton taught John Lennon cross harp while Channel’s band was touring Merseyside. In a later interview however McClinton busts this myth.

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Little Bitty Pretty One (Rockin Robin) – Rod Piazza [..with tab]

Little bitty pretty one, come on and talk to me

Rod Piazza 2 ©FrankVigil.comIn a previous post we had the good fortune of reviewing Rod Piazza & The Mighty Flyers live in Las Vegas. It was a welcome treat as the Harp Surgery has always been a fan of his work. Little Bitty Pretty One (Rockin’ Robin) brought back happy memories of a time when this instrumental was a hot topic of conversation. It is not just a catchy tune; more importantly it includes a devilish switch between separate draw bends in hole 3 and the straight draw in hole 2. Something the Harp Surgery likes to call a wobble.

Wobbles can be executed in several departments of the harp. They are achieved by direct bending in one hole (this could be a draw bend or a blow bend), rolling into an adjacent hole and then returning to the original bent note or, as in this case, a second bent note in the original hole. Join us on our journey into rocking blues and all will be revealed. (more…)

Pencil Full Of Lead – Which Harmonica?

Fraser Speirs by Harry MillburnI knew it was a G harp, but is it a high G harp?

Regular visitors will remember we recently ran a post about Paolo Nutini’s priapic UK No.1 hit Pencil Full Of Lead from his chart topping album Sunny Side Up. When the song first hit breakfast radio, the Harp Surgery resembled a madhouse as The Good Doctor, Elwood, Otis and Monica cavorted around the kitchen in total abandon. The The Riverboat Captain is still sounding his horn from the wheelhouse and singing along.. most of all, I’ve got my baaaaaay-bee!

One player from Nutini’s band, The Vipers, caught our collective eye of course – Fraser Speirs, Scotland’s Laird of the Moothie. That’s King of the Gob Iron to those of us south of the border. And having listened to the track with his good ear, The Doc concluded that Fraser was using a G major diatonic in 2nd position for the harmonica solo. A week or so later, Otis delivered a letter from our dear friend Tenbar who wrote I’ve been trying to figure out the Paolo Nutini track and knew it was a G harp, but is it a high G harp? Straight away the Good Doctor dispatched a missive to the tartan territories, enquiring about Fraser’s choice of instrument and which position he used on the hit.

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Culture Club Harmonica II – Karma Chameleon [..with tab]

Karma Chameleon single coverIn Culture Club Harmonica part 1, we studied Judd Lander‘s harp playing on the band’s top 10 hit, Church Of The Poison Mind. Their follow up single, Karma Chameleon, went flying to the top of the charts worldwide, where it stayed for several weeks. To this day it remains a classic of 1980’s pop. Culture Club and Boy George had well and truly arrived.

To recap for a moment, Judd Lander is purported to have taken lessons from Sonny Boy II during his formative playing days in Liverpool. He subsequently relocated to London where he found studio session work and launched Charisma Records. His playing is not complex, relying as it does on cross harp blues sequences, but it is highly polished and instantly recognisable. Full of natural tone and excellent phrasing, Judd Lander gives his harp licks real ‘voice’ without resorting to digital trickery or overdriven tubes.

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Culture Club Harmonica I – Church Of The Poison Mind [..with tab]

Culture Club - Colour By NumbersThe Harp Surgery has had a number of enquiries regarding the harp riffs used in Culture Club’s hits and who was responsible for them. The culprit was Judd Lander, a harp player from Liverpool who managed to ingratiate himself with Sonny Boy II before moving to London as a session musician and co-founding the Charisma record label. You can find more about Judd in our Harp Trivia pages and on his website.

In the heady days of post-punk Britain, the Sex Pistols‘ erstwhile manager Malcolm McLaren branched into the New Wave pop market with his new creation for the 1980s, Bow Wow Wow. We could look into how and where he found the lead singer Annabella Lwin, his promises to side step the Lolita and Svengali traps, how old Lwin wasn’t, that scandalous album cover, the Vivienne Westwood effect, and how utterly brilliant the music actually was. But we won’t. (more…)

Groovin’ With Mr Bloe – Part 1 [..with tab]

Groovin' With Mr Bloe LPGroovy baby – yeah!

Otis stopped by this morning for a nice cup of tea and a sit down and brought us a lovely letter from Stuart Willowgate.

Been blowin’ since Christmas ’08 – or trying to, and loving it! I heard the song Groovin’ with Mr Bloe as the out music to Oz and James’ beer tour of Britain and have now found it on your site. I remember it the first time round! I think its on a C harp based in or around the 5 or 6 hole draw. Any tips to playing it, or a tab perhaps?

Thanks for your comments Stuart. You’d be referring to the entry about Groovin’ With Mr Bloe on our Harp Trivia Who Played That page. It’s not the first time Mr Bloe has come into conversation, so we ought to investigate the song and nail that tab for you right away. (more…)