Harp Surgery

Christmas Gift Vouchers

The Good Doctor

What better way to start the New Year than learning to play the harmonica with personal guidance from the Harp Surgery’s professional harmonica tutor?

About your harmonica tutor
Every day on Zoom, and one-to-one in the comfort of the Harp Surgery itself, countless Harp Surgery students enjoy the benefits of learning harmonica under the expert care of Richard Taylor. With over thirty years of hands on teaching experience, Richard is a Trinity College CME qualified music practitioner.

Through his specialist harmonica teaching in primary education, Richard has also mentored over a dozen junior national harmonica champions. His harmonica music has been featured on BBC TV and he’s shared stages with a long list of top harmonica performers. And each February Ricard is Producer and Director of Harpin’ By The Sea, the UK’s leading international harmonica festival.

Whether it’s a Christmas gift, a birthday surprise, or a special thank you, a harmonica lesson is a great way to show your loved one how much you care! Simply email or call us with your requirement. We’ll then help you purchase the lesson format you’d like (or a course of lessons), and email you a voucher to print out at home. We can also provide you with a harmonica to complete your gift and help get everything underway.
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Harmonica Lessons Available Online

The Good Doctor

Online harmonica lessons are available to fit your timeframe, musical learning needs and budget. We’ll run some initial checks to assess your current skills and ability level, then map out a pathway of exercises and study pieces to expand your capabilities and repertoire.

Your learning pathway can incorporate a range of styles from blues, country and Americana, to folk, rock, pop and jazz.

Why not take the plunge? Just visit the Contact page and let me know your thoughts. I look forward to helping you achieve your goals.

Isolating Single Notes

The Good Doctor

This information is given from a lip-pursed embouchure perspective, but may be useful for other embouchures. Audio files are based on a 10 hole diatonic harmonica in C major.

Newcomers to the harmonica can often find it difficult to play accurate single notes. Which is perfectly understandable. Let’s be honest, there really isn’t much to aim at. Plus the concepts of embouchure for accurate intonation and diaphragmatic breathing for tone have yet to be fully explored. Everyone has their own approach to gathering single note skills and some will find success sooner than others. If you are finding this skill elusive and frustrating however, don’t give up. It’s not that you can’t do it, just that you can’t do it yet. Give it time and you will get it. If this is your experience, welcome to the harmonica! Let’s run through a few ideas that may help you in your quest for isolating single notes.

Airtight
For the best tone and accuracy, first we need to eliminate any leakiness. This means placing your lips right round the mouth piece, with the corners of your mouth supportive but not rigid, and lips pushed slightly forward but not stiff. And drop that jaw. Remember also that each hole has dividers either side, so your target area is nearly twice as wide as your eyes might tell you. There is a margin around each hole. Pushing the harmonica into your lips will actually improve your accuracy, airtightness and tone.


Posture
Next you should remember to relax your posture. This includes your shoulders, neck, jaw and tongue. Make sure you’re not slumped or leaning on elbows either, as this compromises deep breathing from your diaphragm. If your cheeks are puffing in and out as you play, this probably means you are not moving warm air from deep down in your abdomen and your tone will suffer as a consequence. Read more

Introduction to Sonny Boy II Harmonica Technique

The Good Doctor

Rice MillerDon’t start me talking, I’ll tell you everything I know

Elwood reminded folks at the Harp Surgery it’s the anniversary of Sonny Boy II’s birthday this week. How about we tab out one of his monster tracks? he suggested. The Doc stroked his goatee and lifted his bowler down from the coat stand. No need to tab one number, young Elwood, we’ll do them ALL he replied. But how is that possible? quizzed Elwood.

The Doc raised a sagely eyebrow. Once you’ve mastered his trademark cross-harp licks and timing, my boy, you can tackle much of his material. Then it’s a case of studying the first position harp work, timing and tone. But always remember you will never sound exactly like the master, nor should you . Elwood started warming his favourite blues burger. So where do we begin? he asked. From the turn around, answered the Doc, it’s his signature lick. It goes like this…


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Which Keys Do I Need?

The Good Doctor

The keys to success
Different players and tutors will give different answers depending on their experience and personal preference. The choice is subjective and may also be steered by budget. From a practical perspective however, there are keys that are used a lot and others that tend to gather dust. Here’s our take.

A complete set of regular tuned harps will have twelve keys : A  Bb  B  C  Db  D  Eb  E   F   F# G  Ab

Most players start with a C harmonica. This is mid-range tonally and most tutorial information is published in this key. Next up are  A  D  G  F  and Bb. These keys are used most often on the band stand, when jamming and when learning from recordings by the greats.

We then recommend a Low F. A regular F is very high tonally. A Low F lends itself to blow bending in holes 8-10. It’s also good for familiarising with the feel of Low tunings. Then we’d recommend Eb and Ab, and finally B, Db, E and F#. From experience, these last four are used least frequently.

You might also like to supplement your spread with a High G. Tonally a normal G is the lowest of the regular tunings. There may be the odd occasion when you want to work in a higher pocket. Pencil Full of Lead by Paolo Nutini is an example.

How low can you go?
From here, and if you’re willing to splash out, you can add your choice of Low tunings. These are an octave below regular tuned harps. They are not only ideal for creating a darker mood, but also for occupying a lower pocket when accompanying, for example, slide guitar. Listen to recordings by Son of Dave for an idea of how great these sound, and also Mr Lucky by Gary Primich.

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